1.Harvard
http://www.fas.harvard.edu/~rsea/
Eugene
Yuejin Wang
Assistant Professor of History of Art and Architecture
Chinese art, especially the spatial integration of different media
(painting, sculpture, and architecture) and sites as locus and cues
for image-making and visual perceptions.
作为形象制作和视觉感受的线索和轨迹的不同体现媒介的空间上的综合 2.Stanford
http://www.stanford.edu/dept/CEAS/
Richard
Vinograd文以诚
Associate Professor, Chair, Art Department
Research:
Chinese landscape painting, Chinese portraiture, Contemporary Chinese
Art.
Courses: Chinese Art and Culture; Art in China's Modern Era;
Picturing History in China; Later Chinese Painting; Seminar in Sung
Dynasty Painting; Seminar in Pictorial Art and Cultural Spaces in
Late Ming China 3. Michigan
Martin
Powers
Professor of History of Art, 1987:
Director of the Center
for Chinese Studies (2000-present)
Specializes in Han and Song
art and social history and art theory, 汉代和宋代的艺术，社会史和艺术理论
poetry,
and painting in China中国的诗歌和绘画
E-mail: mpow@umich.edu 4.
UCR 艺术史系
Zhong Kui, woodblock print from Yangliuqing, Qianlong
period (1736-1795)
Ginger Cheng-chi Hsü ginger.hsu@ucr.edu Gingerhsu@aol.com
Ph.D.
University of California, Berkeley
Ginger Hsü is a historian of
later Chinese art and culture后期中国艺术史与文化史家. She publishes primarily
in the area of Chinese painting中国画. Some of her publications are:
"Anhui Merchant Culture and Patronage安徽商人文化和赞助人" in James
Cahill (ed.), Shadows of Mt. Huang (1981); Merchant Patronage of the
Eighteen Century18世纪的赞助人 Yangchow Painting (1989); Zheng Xie's Price
List: Paintings as a Source of Income in Yangzhou扬州作为收入来源的绘画 (1991);
The Drunken Demon Queller (1996); and the Incarnations of the Blossoming
Plum (1996).
Phone: (909) 787-4627; Office Phone: (909) 787-4632 5.UIUC
艺术史系
Anne Burkus-Chasson
Assistant Professor
received her
Ph.D. from the University of California at Berkeley. A specialist
in Chinese art, she has focused her research on painting and woodblock-printed
books from the seventeenth century. Her writings have appeared in
Art Bulletin, Art History, and various exhibition catalogues. In 1995,
she was awarded the Arthur Kingsley Porter Prize by the College Art
Association for "Elegant or Common? Chen Hongshou's Birthday
Presentation Pictures and His Professional Status" featured in
Art Bulletin. 6. MSU
Anning
Jing，Assistant Professor
Asian Art
Ph.D. Princeton University
I
have several research areas in Chinese art. Water God's Temple: Ritual
and Theatrical Performance 水神庙：仪式与剧院表演is a completed book manuscript
for a study of a folk temple of the fourteenth century 14世纪民众寺庙在中国艺术宗教和思想上的重要性and
its significance in Chinese art, religion, and thought. My next book,
now nearing completion, is The Yongle Palace永乐殿. It is a study of
the development of the Daoist Pantheon from tenth to fourteenth centuries10到14世纪道教万神殿的发展.
"Daoism and Landscape in Chinese Art"道家与中国山水画is my most
recent project. It focuses on Daoist aesthetics and its expression
in Chinese art.道家美学及其在中国美术中的表达 7.
USC
Lan-Ying Tseng
Assistant Professor, Department of Art History
Ph.D.,
History of Art and Architecture, Harvard University, 2000
Teaching
and research: Art history and intellectual history of China美术史和中国文人史;
art
history of Asia 亚洲艺术史
Publications include: "Picturing Heaven:
Image and Knowledge in Han China 汉朝(206 B.C.-A.D.220)", "Workshops,
Repertories and Regional Sub-traditions: Traces of the Han Carved
Tomb at Anqiuin Shandong"山东安丘的汉代雕刻墓, "Myth, History and
Memory: The Modern Cult of the Simuwu Bronze Vessel"司母勿大方鼎青铜器的现代礼拜(Harvard
University): joint appointment with Department of Art History;
specialties
include visual culture in early China早期中国的视觉文化, Confucian and Taoist
thought儒家和道家思想, gender and the body as represented in art表现在在艺术中的性别和躯体,
and visual perception and historical memory视觉感知和历史记忆. 8.
Wisconsin-Madison
Julia K. Murray, Professor
B.A., 1974, Yale;
M.A., 1977, Princeton University; Ph.D., 1981, Princeton University.
Dissertation:
Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls.
On faculty
since 1989. Previously worked in curatorial positions at the Harvard
University Art Museums, Freer Gallery of Art, and Metropolitan Museum
of Art. Books: Ma Hezhi and the Illustration of the Book of Odes,
Last of the Mandarins, Stone Sculptures in the Abby Aldrich Rockefeller
Garden, A Decade of Discovery.
Articles in (journals) The Art Bulletin,
Archives of Asian Art, Artibus Asiae, Ars Orientalis, Arts Asiatiques,
Journal of Asian Studies, Journal of Sung-Yuan Studies, Early China,
Chinese Science, National Palace Museum Bulletin, Orientations, Arts
of Asia; (books) Latter Days of the Law: Chinese Buddhist Pictorial
Art中国佛教图示美术, 850-1850, Flowering in the Shadows: Women in the History
of Chinese and Japanese Painting中国日本绘画史上的妇女, Artists and Patrons:
Some Social and Economic Aspects of Chinese Painting艺术家和赞助人：一些中国画上的社会的和经济的方面,
The Dictionary of Art艺术词典, etc. Currently writing a book on pictorial
illustration as a medium for asserting Confucian morality. 作为断言儒家道德的媒介的图示解说Regular
course offerings in Chinese art (especially painting), East Asian
art, and inter-area seminars (methodology, narrative representation,
pictorial
biography). 9. Northwestern
Sarah
E. Fraser (Ph.D. UC Berkeley) s-fraser2@northwestern.edu
teaches
courses in Chinese and Japanese art with an emphasis on Chinese painting.
Fraser's
forthcoming book, Performing the Visual: Making Wall Paintings in
China and Central Asia, 618-960 中国和中亚在唐五代时的壁画制作(Stanford University
Press), addresses the status of sketching and issues of cognition
and creativity in painting workshops绘画作坊中认识和创造力的大体状况和问题. Her articles
and essays include contributions to Artibus Asiae, Orientations, L'art
de Dunhuang à la Bibliothèque nationale de France (ècole fran?aise
d'Extrême-Orient, 1999), and Images in Exchange: Cultural Transactions
in Chinese Pictorial Arts 中国图示美术的文化交易(University of California Press).
In 1999-2000 she was a Getty Post-Doctoral Fellow and Directrice
d'etudes at the ecole Pratique des Hautes etudes in Paris.Fraser also
directs two international research projects指导西北大学的两个有关佛教艺术的国际研究课题
on Buddhist art at Northwestern. Under the auspices of the Andrew
Mellon Foundation, she contributes to a 3-D image archive of wall
paintings壁画 and transitive archaeological material from western China中国西部变化的考古学材料.
Additionally, with Luce Foundation support, she oversees a three-year
project entitled "Merit, Opulence, and the Buddhist Network of
Wealth优点，富足和佛教网的财富," concerning Buddhist material culture.佛教物质文化
Essays from the conference on this topic hosted with Peking University
in Beijing, June 2001, are forthcoming from Shanghai Fine Arts Publishers. 10.Arizona
State 艺术学院艺术史专业
Claudia Brown (1998) claudia.brown@asu.edu
Assistant
Professor of Art,
B.A., M.A., Ph.D., University of Kansas: Asian
art.
Affiliated faculty in Center for Asian Studies and Program
for Southeast Asian Studies. Special interest in later Chinese painting后期中国绘画和装饰美术and
decorative arts, museums and exhibitions. Research Curator of Asian
Art, Phoenix Art Museum. Co-author of Transcending Turmoil: Painting
at the Close of China's Empire, 1796-1911, 1993.
Office: GHALL
149, Phone: (480) 965-2409, 11.
Ohio State
Julia F. Andrews
History of Art
JULIA ANDREWS,
Professor
e-mail: andrews.2@osu.edu
Professor Andrews is the
Associate Director of the East Asian Studies Center. She is a specialist
in Chinese painting and modern Chinese art中国画和现代中国美术. Her first book,
Painters and Politics in the People's Republic of China中华人民共和国的画家和政治
(1994), won the Joseph Levenson Prize of the Association for Asian
Studies for the best book of the year on modern China. More recently,
she served as co-curator and catalogue author (with OSU alumnus Kuiyi
Shen) of the Guggenheim Museum's 1998 exhibition A Century in Crisis
: Modernity and Tradition in the Art of Twentieth Century China, which
was shown in New York and Bilbao. She has recently contributed to
several exhibition catalogues and anthologies, including Between the
Thunder and the Rain: Chinese Paintings from the Opium Wars to the
Cultural Revolution鸦片战争到文化大革命的中国画, 1840-1979 (Asian Art Museum of
San Francisco) and Wordand Meaning: Six Contemporary Chinese Artists
六位中国当代画家(Buffalo: State University of New York at Buffalo, Research
Center in Art + Culture, 2000). She teaches undergraduate courses
on Chinese and Japanese art and topically organized graduate seminars
that usually focus on Chinese painting or modern Chinese art.
Her
graduate students have written theses on topics in Chinese or Japanese
art of the seventeenth through the twentieth centuries.17到20世纪的中国和日本艺术 12.
Maryland
Professor Jason Kuo jk103@umail.umd.edu
Chinese Art
Art
History & Archaeology
Professor Jason Kuo, an authority on
Chinese art, is the author of Wang Y黙n-ch'i's Art of Landscape Painting;
Trapping Heaven and Earth in the Cage of Form; Innovation within Tradition;
The Painting of Huang Pin-hung; The Austere Landscape: The Paintings
of Hung-jen; Word as Image: The Art of Chinese Seal Engraving; Chen
Chikwan; Heirs to a Great Tradition: Modern Chinese Paintings from
the Tsien-hsiang-chai Collection, and Rethinking Art History and Art
Criticism.
His articles have appeared in numerous journals, including
Art Journal, Asian Culture Quarterly, Chinese Studies, Art in America,
Orientations, China Quarterly, Journal of Asian Studies, Journal of
Asian and African Studies, and Ars Orientalis. He has received an
Andrew W. Mellon Foundation Fellowship, a grant from the National
Endowment for the Humanities, two Stoddard Fellowships in Asian Art
at the Detroit Institute of Arts, two fellowships from theJ.D. Rockefeller
III Fund and many other scholastic honors. In 1991-1992, he received
the Lilly Fellowship for teaching excellence. In 1992-1993 he organized
and directed a National Endowment for the Humanities Summer Institutefor
College Teachers of the History of Chinese Art. From 1993 to 1998,
he undertook the study of the nineteenth- and twentieth-century art
of Shanghai,a research project, funded by the Henry Luce Foundation,
combining the work of six scholars from China and six from the United
States. Two books are inpress: Art and Identity in Postwar Taiwan
and Modern Chinese Poster-Calendars. jdm
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